‘Inbetweenness’, Tanah Air and Nusantara in Dain Said’s Bunohan (2012), Interchange (2016) and Dukun (2018)
This article examines three films by Malaysian Dain Said; Bunohan: return to murder (2012), Interchange (2016) and Dukun (2018). Particular attention is paid to the use of land and water (tanah air) imagery, cinematic qualities, and the richness of the cultural practices of Nusantara from which the...
| Published in: | Indonesia and the Malay World |
|---|---|
| Main Author: | |
| Format: | Article |
| Language: | English |
| Published: |
Routledge
2023
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| Online Access: | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85150820451&doi=10.1080%2f13639811.2023.2168403&partnerID=40&md5=3ad1c41ce75549860c60d887a13d7f60 |